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AR Rahman Launches Naga International Studio In Kohima_我的网站

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一 | Academy Award-winning composer AR Rahman is expanding his vision beyond film soundtracks and global concerts with the launch of a brand new music production and creative facility in Kohima, Nagaland. The celebrated singer-composer recently joined hands with Nagaland Chief Minister Dr Neiphiu Rio to formally announce the establishment of the Naga International Studio, a project that promises to place the state firmly on the cultural map of the country.A Landmark Collaboration in the HillsAccording to the official release, the studio will feature a dedicated auditorium for performances, state-of-the-art recording facilities and a wide range of creative infrastructure aimed at nurturing young talent. The idea is not just to build a studio but to create an ecosystem that allows music production, collaboration and experimentation to thrive.During the announcement, Chief Minister Neiphiu Rio welcomed Rahman to his native village of Touphema and spoke warmly about the significance of the project. He thanked the composer for choosing Nagaland for such a major initiative and described the move as a reflection of Rahman’s affection for the people of the state. The Chief Minister added that the Naga International Studio represents a shared commitment towards encouraging creativity and innovation in regions that often lie outside the mainstream spotlight. View this post on Instagram A post shared by ARR (@arrahman) “This is a meaningful step that reflects our shared commitment to nurturing creativity, innovation, and supporting creative talent. I wish this initiative growth, excellence, and impact,” the CM stated, while also assuring Rahman of complete support from the state government.From Headhunting to Beatboxing and BeyondRahman, in turn, expressed his gratitude to the Nagaland government and its people for the warmth with which the project has been embraced. Speaking about the cultural richness of the region, he said, “Nagaland has a rare musical soul which is honest, original, and deeply rooted in its culture. The Naga International Studio is envisioned as a space where this heritage can meet world class creativity, allowing young artists from the region to collaborate, experiment, and create music that resonates not just nationally, but globally. I am grateful to Chief Minister Dr Neiphiu Rio, the Government of Nagaland and TAFMA for their vision and support in making this dream possible.”Alongside the studio announcement, Rahman also unveiled the trailer of Headhunting to Beatboxing, a documentary he has produced, directed by Rohit Gupta. The film explores Nagaland’s evolving creative identity and its musical resurgence, tracing how traditional roots are blending with modern sounds to create something distinctively new.The documentary is expected to shine a light on local musicians, cultural traditions and the changing face of music in the region, further underlining Rahman’s larger mission to bring stories from the Northeast to a global audience. View this post on Instagram A post shared by Virtual Bharat (@virtualbharat) The Naga International Studio is being positioned as more than just a facility. It is intended to serve as a creative hub that draws artists, producers and collaborators from across India and abroad. By offering professional grade infrastructure in Kohima, the project aims to reduce the need for young musicians to migrate to metros in search of opportunity.For Nagaland, a state long known for its vibrant music culture but limited access to industry level platforms, this initiative could be transformative. With Rahman’s global reputation and the backing of the state government, the studio is expected to generate new opportunities, encourage skill development and spotlight regional talent on national and international stages. View this post on Instagram A post shared by AR Rahman: Official Updates (@arrofficialupdates) At a time when conversations around inclusivity and decentralisation are gaining momentum in the Indian creative industries, the Naga International Studio stands out as a meaningful step forward. It not only acknowledges the immense potential of the Northeast but also provides the tools to help that potential flourish.Also Read: A.R. Rahman Says Roja Was Going to Be His Last Film。

凤凰网体育出品作者 | 丰臻（发自亚特兰大现场）一阿根廷球迷走到哪里都喜欢聚集，聚在一起一定唱歌。他们常唱这么几首《Vamos, Vamos, Argentina（前进阿根廷）》《Muchachos（男孩们）》《Cadadía te quiero más（每一天我都更爱你）》，这届世界杯他们唱了一首新歌《La Cuarta Estrella（第4颗星）》。这首歌跟踢什么对手没什么关系，他们在任何场合都会唱，歌词是这样的："Soy hincha de la Selección我是阿根廷国家队的球迷La aliento con el corazón我用真心为他们加油Ganamos la tercera con Lionel我们和利昂内尔一起赢得了第三座世界杯Queremos ser campeones otra vez我们想再次成为冠军Y 32 años después在三十二年之后La Scaloneta va a vengar斯卡洛尼的球队将会复仇La Copa que le robaron al diez那座被偷走、本该属于10号（马拉多纳）的奖杯La que no nos dejaron levanter那座他们不让我们举起的奖杯Quiero ver la cuarta Estrella我想看到第四颗星Brillar en la camiseta在球衣上闪耀Soy argento de la cuna hasta el cajó我从生到死都是阿根廷人Por Malvinas, por el Diego为了马尔维纳斯，为了迭戈Por la ultima de Leo为了莱奥的最后一届世界杯Argentina quiero verte bicampeón."阿根廷，我想看到你卫冕冠军大意是：1994年美国世界杯上，马拉多纳被国际足联剥夺参赛资格，阿根廷那颗星被偷走了，这次他们“为了马尔维纳斯群岛、为了马拉多纳、为了梅西最后一次征战”，再次回到美国要把冠军拿回来，完成卫冕。这场英阿大战他们更唱得其所。显然自1986年马拉多纳带阿根廷赢下那场跟英格兰的“战争”开始，马岛在阿根廷球迷心里已经是一种跟足球绑定的语境。

二 | 这就意味着跟英格兰之间的交锋已经跟民族主义、领土纷争、家国荣誉融为一体，不再是一种“游戏”。1984年世界杯马拉多纳“上帝之手”所以就能理解开赛前这罕见一幕：美加墨世界杯赛场，唯一互嘘奏国歌的就是英阿。《天佑国王》先起，阿根廷球迷狂嘘。《阿根廷国歌》后起——没错，阿根廷的国歌直接就叫《阿根廷国歌》，英格兰球迷只能以嘘声还之。两支国歌淹没在嘘声里就像淹没在炮火中。我通过现场美式巨大屏幕留意到，英格兰球员在嘘声中显得有些懵，这些拿着不列颠护照在温柔乡、富贵场里长大的孩子似乎不太能意识到这是一场战争。

三 | 但在英超踢球挣钱的阿根廷人利马和恩佐唱国歌时反而唱得最面目狰狞、剑拔弩张，几乎是视死如归的气势。

四 | 只有英国五代后裔麦卡利斯特的表情有些尴尬。二刚开场恩佐就用一记对英格兰中场安德森的后脑勺劈杀为比赛定调。

五 | 这样的比赛强度英格兰人是适应的，哪场英超联赛不杀得人仰马翻，似乎也没啥。恩佐防守安德森在这种绞杀局里，进球是很难产生的，除非自己失误，或者教练突然变成一头猪。英格兰的进球来自阿根廷一次后场头球解围失误。1亿欧身价的赖斯截球后迅速分给右路1亿欧身价的罗杰斯，此前一直在自己不熟悉的右边锋位置上坐牢的罗杰斯迅速传中，8000万欧身价的戈登迅速绕到后卫身前抢点破门。在赖斯断球的刹那，坐我身前的《体坛周报》副总编马德兴高喊了一句：一定要快！马老师的话瞬间应验。有那么一刻，我觉得马老师能执教英格兰。可惜，执教英格兰的是图赫尔。本以为先进球的英格兰能掌控比赛，至少剩下的时间可以踢成五五开，阿根廷将在挣扎中悲壮告别。不料图赫尔给梅西提供了彻底超越马拉多纳的舞台。

六 | 最后20分钟图赫尔摆出901阵容，以为能守住。但是全世界都知道怎么可能呢，都只坐等阿根廷人扳平比分，而一旦被扳平，英格兰必败，因为图嗨的临场调度已经让英格兰彻底攻守失衡。梅西不可能放过这种机会，用两个助攻完成逆转——尤其第二个助攻，他竟用不那么擅长的右脚下底传中，像踢着玩。如果说马拉多纳用“上帝之手”和连过五人让那支英格兰队成了还不错的背景板，这次梅西就让英格兰的防线成了玩物。

七 | 恩佐为阿根廷打进首球40年了，蝴蝶飞不过沧海是有原因的。英格兰队不要以为会唱几首The Beatles和Oasis的歌就觉得自己有了灵魂，英格兰队真的只有身价没魂。没有马拉多纳那样的灵魂，没有贝隆和扎内蒂那样的任意球灵感，没有梅西那样的灵性，没有罗梅罗那样的野性，没有恩佐那样的血性，没有利马那样的狠劲……英格兰50年来最好的才华仅仅在贝克汉姆的圆月弯刀上，就这么一点东西已经把他们透支了。图赫尔最有狠劲的一次是跟孔蒂握手的时候像小孩子一样较劲，最怂的一次恰恰在阿根廷人面前这次。如果没记错，最后那20分钟是英格兰人在世界杯历史上最狼狈的20分钟。已经想看舰队街明天出街的各大报纸标题了，想看看英国人会怎么用莎士比亚的语言来形容一个掉链子的德国籍狮子王。但有没有另一种可能：英格兰队跟中国队一样，谁来都不好使呢？唱再多的Oasis流行曲也不好使。

八 | 三赛前计划，如果阿根廷饮恨，补时最后1分钟我会用8倍长焦对着梅西录视频，看看《GOAT的最后1分钟》。计划有变，终场哨响一刻，看到梅西跪地挥拳咆哮。经此一战，对阿根廷人来说，马拉多纳做到过的事他都做到了。所以也有了这一幕：赛后阿根廷球员并排面向看台庆祝时，拿出了提前准备好的横幅，上面手书着大标语“马尔维纳斯群岛属于阿根廷”。阿根廷球员举横幅宣誓马岛主权FIFA明令禁止球队在赛场内外打出政治标语，但阿根廷顾不上这些了，他们的足球早就超出了足球。利马抓着横幅的一角又唱又跳，尽情宣泄自己的政治主张，似乎不担心回到英格兰会有麻烦。大概也确实不会有什么麻烦。阿根廷人永远的心头恨，可能只是英格兰人在报纸上读都懒得读的老话题而已，这就是丛林法则里的政治现实。倒是好奇英国实控的马岛上3468位常驻居民希望谁赢。2013年岛上搞过一次公投，92%的投票率，99.8%表示赞成归属英国，阿根廷表示不承认公投结果，联合国也不认可公投结果决定主权归属，但英国实控的局面没有改变。所以足球的胜利是阿根廷人的兴奋剂，也是麻醉剂。阿根廷和曾经的殖民宗主国西班牙只在世界杯上有过一次交手，是60年前在英格兰举办的世界杯上，当时阿根廷2比1赢球。几十年来很多阿根廷球员都在西班牙联赛效力，他们语言相通、文化共融，在俱乐部几乎不分彼此。但以阿根廷人的风格他们大概又会把这场决赛上升到民族主义的高度。